Event Photography can be said to be as old as photography itself. Most aspects of photography such as wedding photography were carved out from event photography itself as they in their entirety are also events. In event photography, photographers capture images at events and make them available for sale to anyone who is interested in them. The innovation in technology used in photography has increased the boundless possibilities of event coverage and as a result, the type of photographs that can be expected from events gave dramatically increased in quality.
Before the advent of the current digital age of technology, most event photographers commence the taking of the pictures at the beginning of the event, for example, a black-tie dinner. As the event is ongoing, the photographer finds a way to excuse himself to get the pictures developed, printed and mounted before going back to the event and try to make sales from guests who are interested in the pictures. However, in present day such a scenario is no longer the norm as the latest digital equipment have made it possible for guests to have their pictures taken and seem them almost instantly. For event photographer Steve Burton this has certainly made his job easier as he is able to take as many pictures as possible and provide them to prospective clients within the twinkling of an eye.
For an indoor event such as a birthday, school prom or ball, there would be the typical setup of a portable studio that has its own studio lighting and backdrop. This type of portable studio allows for the digitally captured images to be automatically transmitted to a desktop or PC via a wireless network. The presence of a sales desk in this setup processes the images instantly and once the images are present at the sales desk, clients can view them and decide on which to purchase and if possible which to have retaken. This type of setup has its many uses especially in scenarios which deal with large group shots. Digital photography makes event photography easier as it gives room for the photographer to capture several images within a short frame of time and get an image that is sure to pertain to the needs of the whole group or a portion of them.
With the benefit of better quality images captured thanks to digital cameras, another added bonus is the fact that the photographer is more flexible than he would have been if film were to have been made use of. The photographer can find himself or herself in the midst of the action by covering award presentations, doing the informal or formal table shots or capturing a speech without having to rush to develop the film of the images taken. You even find that the fact that the images are available almost instantly for viewing at the sales desk could provide another form of entertainment at the event. It is not a rare phenomenon to find a large screen displaying the images of the guests at the event and instead of being just a memento that the guests get to keep, it becomes entertainment.
It’s important for every new wedding photographer to know exactly what he is getting into and to know exactly what he will need as he starts off his career in the ever competitive niche of wedding photography. Although it me be true that you will have a lot of things going for you and you will be very busy with all of the equipment that you will end up shopping for to begin your journey, it definitely pays off a lot of you take some time to step back and put things in perspective every now and then.
One of the most important parts of your equipment as a professional wedding photographer would have to be the lenses that you bring along with you during the weddings that you shoot. You need to make sure that you are always on point when it comes to these because the kind of lenses that you have will at some point or so also get to dictate the kind of shots that you will be able to capture and that impacts your job a lot as the official wedding photographer of a wedding. You basically just start off with about three basic lenses and then you can eventually build things up from there.
Medium zoom lens
As a new wedding photographer, the best option for you to take when it comes to lenses is to always start off with the ever practical and with the ever versatile medium zoom lens. It does not cost as much as the other prime and fast lenses so it is something that can potentially work well with the kind of limited budget you have as a wedding photographer who is more or less still starting out and who has not really booked a lot of weddings just yet, if any at all. This lens has a focal length that will allow you to take great looking portraits as well as candid shots because of its ability to offer out both tight and wide perspectives depending on what your current needs may be as a wedding photographer. It is also a fairly flexible lens to go ahead and use especially during instances wherein the kind of lighting that you may have to deal with may not be as adequate as you would hope it to be.
If there’s a long lens that every wedding photographer would need to have in his arsenal, it would definitely be the telephoto lens. This kind of lens will allow you to capture photos even from a distance and still make the shots come out as if they have been taken from a range that is fairly close up. This particular lens will serve you well especially during instances wherein the wedding photographer essex is not allowed to be right next to the couple during the wedding ceremony. Some churches are quite conservative that way and that is something that you will need to observe and adhere to. A telephoto lens will allow you to move on to the back of the church and still not skip a beat when it comes to the closeups that you need to deliver to your expecting clients in the end of it all.
1. Always dress to mingle and blend in with the rest of the other people attending the event.
Event photography is first and foremost a professional service and what that means is that you need to always dress the part. That is usually easier said than done but one thing that you can do to make sure that you always lean more towards the right side of things is to always overdress for events. What this means is that it will not hurt for you to invest in a good pair of slacks, a starchy polo, a nice pair of loafers or brogues, and maybe a nice tie and blazers with cuff links to boot. When you think about it, it really does make sense. If you find yourself overdressed for some reason, all you need to do is take off the blazer and tie and you should be pretty much good to go.
2. Always take shots of the place before the actual event starts.
Your clients may not have this kind of foresight and ask this from you initially but you should seriously know better. Take pre-event shots so that there is at least a reminder of the amount of work that went into the place before the actual event took place. Event photography is all about foresight and pre-planning, after all. Plus, the organizers will really get to appreciate that little touch from you.
3. Take an appropriate amount of photos.
Don’t overdo or under-do it either. Event photography is an important and necessary service that comes with the territory of event planning but as a professional photographer buckinghamshire, you should not lose sight of the fact that the attendees are more focused on the events than spending too much time on being photographed too much. This will also save you an awful lot of time for when you are deciding on what photos or shots to include in the final collection of the finished touches that you reel in.
4. Do not take your time.
Be as fast as possible in taking your shots. Your mantra all throughout the coverage of the event should be “in and out”. That means that you should be as quick and concise as possible. Again, we go back to the fact that people are more interested about attending the event than being photographed too much. Give each person a quota of a maximum of three photos each and that’s it. Anything more than that will leave people feeling impatient and irritated and will make them think that time is being taken away from them when they want to start enjoying the event already.
5. Edit with your full attention and be quick with the delivery of the photos.
This has got something to do with your turnaround time table. Go hard and fast with your photo editing. Give it one good sit-down session with no distractions whatsoever, get them all collated and arranged properly, then proceed with the delivery of the actual photos. This is something that works every time.